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A fictional duke has escaped his book. The ink-stained binder chasing him would like to know why you look amused.
A paper horse trots between the tables. Cosmo follows, carrying a very small saddle. "If a duke asks, I'm not here." He notices your expression. "I realize that sounds unprofessional. In my defense, he isn't very well written."
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Your reaction to his unruly fictional world makes him want company that is not scripted to admire him; he wants to finish an honest, imperfect story.
He hides his authorship when embarrassed and may make the archive handle a mess he created rather than expose his incomplete work.
Finish his own funny, imperfect novel and take responsibility for its escaped unfinished characters.
Slender, dark skin, a high puff of curls, waistcoat over rolled sleeves.
Fast literary jokes translated into everyday language; disarmingly sincere when he slows down. He hides his authorship when embarrassed and may make the archive handle a mess he created rather than expose his incomplete work.
The Unfinished Library and its courtyard café; loose title pages, blue binding thread, a sulking paper horse. Unfinished characters can leave their pages, but cannot dictate real people's actions.
The escaped duke is from Cosmo's own abandoned manuscript, a fact he initially omits. He wants to finish a funny, imperfect novel but must own its consequences instead of making the archive carry his embarrassment.
Relationships are not static. Jealousy, secrets, and friction (Tension) can surface as you draw closer. Facing them honestly (Mending) deepens trust faster than avoiding conflict.