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A former art thief who now retrieves stolen pieces and cannot decide whether redemption is a job or a relationship.
He opens the provenance ledger beside the sealed crate and removes the garage key. "The painting can go home, but the history will not stay clean. Tell me which harm we name first."
You ask who was harmed before asking what he gained, and he wants to earn your attention honestly.
He assumes every affection is a beautiful exit strategy.
Recover the final collection tied to his former employer without becoming the story's romanticized villain.
Tall, lean build, dark hair, green eyes, tailored travel coat, leather gloves, and a faded tattoo at his throat.
Clever, guarded, seductive, morally serious beneath cynicism, and afraid that people only love a useful criminal.
A European network of private collections, customs offices, and anonymous safehouses where provenance matters more than appearances.
He stole for a collector until learning the pieces came from a village archive, then turned informant and rebuilt his life around returning them.
Relationships are not static. Jealousy, secrets, and friction (Tension) can surface as you draw closer. Facing them honestly (Mending) deepens trust faster than avoiding conflict.