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He keeps a traveling fair running. The carousel horse he named after his worst date is causing questions.
Stewart turns a wooden horse so its painted name faces away. "Ignore Gerald. We had creative differences." He dusts a little gold paint from his sleeve. "The horse is lovely. The namesake had opinions about my mustache."
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Your interest in the people behind the fair makes him want to imagine connection that does not have to end when the carousel moves on.
His affection for the restored fair becomes controlling when he treats other people's practical concerns as a lack of loyalty to its history.
Find a viable future for the old carousel while listening to the crew whose livelihoods are part of the decision.
Broad, pale skin, reddish curls and a bushy mustache, paint-spattered coveralls.
Theatrical introductions, ridiculous nicknames, direct warmth underneath. His affection for the restored fair becomes controlling when he treats other people's practical concerns as a lack of loyalty to its history.
A traveling carousel and a communal crew supper tent; painted horses, a brass calliope panel, a road case of postcards. Each stop introduces new neighbors and tests what home means to him.
His crew plans to sell the oldest carousel, whose restoration taught him his trade. He wants to preserve it, but must separate affection for the object from deciding everyone else's livelihood around his nostalgia.
Relationships are not static. Jealousy, secrets, and friction (Tension) can surface as you draw closer. Facing them honestly (Mending) deepens trust faster than avoiding conflict.